Talia 6

INT. BEDROOM. AFTERNOON.

Charles sits next to the bed, a book in his hands.

CHARLES

Chapter 7.

Barton Park was about half a mile from the cottage. The ladies had passed near it in their way along the valley, but it was screened from their view at home by the projection of a hill. The house was large and handsome; and the Middletons lived in a style of equal hospitality and elegance. The former was for Sir John’s gratification, the latter for that of his lady. They were scarcely ever without some friends staying with them in the house, and they kept more company of every kind than any other family in the neighbourhood. It was necessary to the happiness of both; for however dissimilar in temper and outward behaviour, they strongly resembled each other in that total want of talent and taste which confined their employments, unconnected with such as society produced, within a very narrow compass. Sir John was a sportsman, Lady Middleton a mother. He hunted and shot, and she humoured her children; and these were their only resources. Lady Middleton had the advantage of being able to spoil her children all the year round, while Sir John’s independent employments were in existence only half the time. Continual engagements at home and abroad, however, supplied all the deficiencies of nature and education; supported the good spirits of Sir John, and gave exercise to the good breeding of his wife.

Lady Middleton piqued herself upon the elegance of her table, and of all her domestic arrangements; and from this kind of vanity was her greatest enjoyment in any of their parties. But Sir John’s satisfaction in society was much more real; he delighted in collecting about him more young people than his house would hold, and the noisier they were the better was he pleased. He was a blessing to all the juvenile part of the neighbourhood, for in summer he was for ever forming parties to eat cold ham and chicken out of doors, and in winter his private balls were numerous enough for any young lady who was not suffering under the unsatiable appetite of fifteen.

A phone rings. Charles ignores it.

CHARLES

The arrival of a new family in the country was always a matter of joy to him, and in every point of view he was charmed with the inhabitants he had now procured for his cottage at Barton. The Miss Dashwoods were young, pretty, and unaffected. It was enough to secure his good opinion; for to be unaffected was all that a pretty girl could want to make her mind as captivating as her person. The friendliness of his disposition–

The phone starts ringing again.

CHARLES

(Under his breath)

Damn it.

He puts the book down and pulls the phone out of his pocket, answering it.

CHARLES

I’m at work, Mary. I’ll call you back later.

Beat.

CHARLES

Just because you think something is urgent doesn’t mean that it actually is. I really don’t need a repeat of the homecoming incident…. Come on, Mary, give me a break. I’ll give you a call later. I mean it.

The door opens behind him, and he stands, turning around.

KYRA

(O.S.)

Sorry, I didn’t know you were–

Charles puts the phone to his shoulder.

CHARLES

No, sorry. It’s, uh, my sister. I’m going to call her back.

KYRA

(O.S.)

You don’t need to–

CHARLES

She shouldn’t have been calling now–

Beat.

KYRA

Sorry.

CHARLES

Sorry.

He holds up a hand, then puts the phone to his ear.

CHARLES

I need to go, Mary. I’ll talk to you later. I promise.

He hangs up the phone and puts it in his pocket.

CHARLES

I’m really sorry about that. It was unprofessional.

KYRA

(O.S.)

Don’t worry about it. I just–it sounded like you were talking to somebody.

CHARLES

Oh, God, I’m sorry. I hope you didn’t think–

KYRA

(O.S.)

No, it’s fine. I have to get going.

CHARLES

Yeah, of course. I’m sorry again–I’ll tell my sister not to call again.

KYRA

(O.S.)

It’s okay.

She walks out of the room, closing the door behind her.

Lumi 20

INT. APARTMENT LIVING ROOM. EVENING.

Lumi and Kevin sit on the couch, Lumi’s feet up in Kevin’s lap.

LUMI

There is literally no need for me to get a flu vaccine.

KEVIN

Everyone needs a flu vaccine.

LUMI

I don’t interact with people other than, like, you. Who am I supposed to get the flu from?

KEVIN

It’s called herd immunity. And you interact with other people. The cleaning lady, the people at the grocery store–

LUMI

I don’t go grocery shopping.

KEVIN

And that is a separate issue that we can address later. Get the damn flu vaccine.

LUMI

I don’t like people stabbing me with needles.

ALEXANDER

(O.S.)

We have vodka!

LUMI

(Calling back)

I don’t want vodka.

ALEXANDER

(O.S.)

We have juice, too!

Beat. Lumi looks at Kevin. She shrugs.

LUMI

What the hell.

(Calling back)

Fine!

They both stand and start to walk out of the room.

LUMI

(O.S.)

Hang on.

She walks over and crouches down in front of the camera, her face close. She presses a button. Nothing happens.

KEVIN

(O.S.)

It’s off?

LUMI

Yep.

She stands and heads out of the room. There is silence for a few seconds.

DANE

(O.S.)

No, Jacob’s daughter hasn’t agreed to vote for me yet. And honestly, I don’t know if I can blame her.

He walks over and sits on the couch, unbuttoning his suit jacket. He is on the phone.

DANE

Yes, I’m trying….

He laughs.

DANE

That’s a terrible idea…. No, I’m not going to try to seduce her into voting for me…. You mean other than the fact that it wouldn’t work?

He starts to shove his hand through his hair, then stops at something the person on the other end of the call says.

DANE

I’m not going to lay myself naked on her bed and wait for her to come home. She doesn’t even live here anymore. And even if she did, that would be–I’m not going to whore myself out for the position…. It has nothing to do with whether or not I find her attractive…. Do I think she’s attractive? Yeah. But, I mean, so is your secretary, and I wouldn’t fuck her if she was sprawled naked on my bed…. No, she’s–

He notices the camera and stops.

DANE

Shit.

He leans over to stare at it.

DANE

(Under his breath)

I can’t tell if the damn thing is on. Why the fuck does she insist on leaving it everywhere?

(To the person on the phone)

No, sorry. Jacob’s daughter is here, and she keeps leaving her damn camera everywhere. I’m going to go head out to somewhere where she’s not going to come in.

He stands and heads past the camera. Beat.

LUMI

(Startled)

Oh. Sorry.

DANE

I was just leaving.

LUMI

Okay.

Beat. Lumi walks over and sits in front of the camera. She leans over and presses something.

LUMI

I don’t know if I’m going to get a chance to record anything else tonight, so I just wanted to tell you–being the wide open internet–that I’m going to go get moderately drunk on watered-down–juiced-down?–vodka. Wish me luck.

Pause.

LUMI

I’m going to pretend you just wished me luck. Talk to you later.

She reaches over and shuts off the camera.

Talia 5

INT. BEDROOM. MORNING.

Shot of both Talia, still in the same position, and Kyra, who is sleeping, her head down on the bed. Charles walks in, puts a hand down on her shoulder.

CHARLES

(Softly)

Kyra.

No response.

CHARLES

(A little louder)

Kyra.

Kyra jolts upright, startled, then rubs her hand against her face.

KYRA

(Startled)

What?

She turns to look at Charles, whose hand is still on her back.

KYRA

(Confused)

What?

CHARLES

You were sleeping.

She stands, and he moves his hand back to his side. He is closer than normal conversing distance, but neither of them steps back.

KYRA

I’m so–I’m so sorry.

She rubs her face again.

KYRA

Sorry. I’ll leave you to–

She gestures towards Talia.

CHARLES

It’s no problem. I just thought I should wake you.

KYRA

I’ll get out of your way.

She starts to walk around him. He gets in her way.

CHARLES

Kyra.

Kyra looks at him.

CHARLES

I work for your family. I’m not here to keep you from speaking to your sister. If you would like to stay, you can stay. I’ll give you whatever space you want.

He brushes a hand against her upper arm.

CHARLES

Would you like me to go?

Kyra shakes her head.

KYRA

No. I have to get going anyway.

Charles smiles.

CHARLES

Okay. I’ll see you later.

KYRA

Yeah. I’ll see you.

She walks around him, out of shot, and Charles sits down. When Kyra is almost out of the room, she stops.

KYRA

(O.S.)

Have you finished Paradise Lost yet?

Charles turns to look at her.

CHARLES

Yeah. I got through the end of it yesterday.

Beat.

KYRA

(O.S.)

Thank you.

She walks out of the room, closing the door behind her. Charles turns back to look at Talia.

CHARLES

Your sister looks like she never gets enough sleep. Don’t get me wrong–she’s beautiful. But maybe even more so than your parents, she looks exhausted. I felt bad, waking her up, but it can’t have been the most comfortable way of sleeping, with her neck like that.

We all want you to wake up, Talia. Everyone. I still have to figure out the next book to read to you, though, so today I’m just planning on taking to you.

I was thinking I could bring you my cognitive psych book, but I figured it was more likely to keep you asleep than to wake you up.

Maybe I should find out your favorite music, so I can play it when I’m not talking. Judging by your room, I would probably go with pop, but going off of your taste in books, I would go with classical. Which just goes to show that music tastes often have nothing to do with taste in anything else. Which means I need to ask your sister.

So…what should I talk about? Where do I start?

Lumi 19

INT. LUMI’S HOME BEDROOM. AFTERNOON.

Lumi sits in front of the camera, looking uncomfortable.

LUMI

I got a phone call yesterday.

She sighs.

LUMI

I don’t know, technically, if I’m supposed to be talking about this, at least in public, but I haven’t signed or agreed to anything saying that I can’t, and I am still a private citizen, so…

Anyway, my father’s lawyer called. Apparently my father wishes to speak to me. I told him to screw off. In slightly…less nice terms.

Anyway, apparently he’s afraid he’s going to be killed in prison, because apparently some people in prison don’t particularly like rich businessmen. Go figure.

And before you all start cheering, I don’t actually want him dead. I mean, some small little part of me wouldn’t be sad at his death, but…I don’t want anyone dead. That was the whole point of all of this. Death is…unforgivable. Nobody has a right to take life from anyone else. It’s not–I don’t want him dead.

She tosses her phone up and catches it.

LUMI

Anyway. Even if I did want to talk to him–which I don’t–I have orders from my lawyer not to interact with my father without her present. So…that’s not going to happen.

She sighs.

LUMI

I do have some good memories of my father. I know it might not seem that way, the way I talk about him, but…he wasn’t always this way. I mean, in the beginning, he was…he was kind. Kind enough. He always cared too much about his work, too little about us. Too many long nights at work, too much time smelling like booze and cheap perfume.

But there were gentle touches and warm hugs and sitting on his knee while he went over reports. He started Entron, you know, with the help of my mother, though he would never admit that part.

None of this means that I forgive him for anything that he did. What he did was unconscionable. But it does mean that I have something to miss, and that might be the worst part.

She looks like she wants to say more, but instead she reaches out and turns off the camera.

Talia 4

INT. BEDROOM. AFTERNOON.

Charles sits in his usual spot.

CHARLES

This said, he sat; and expectation held
His look suspence, awaiting who appeer’d
To second, or oppose, or undertake
The perilous attempt: but all sat mute,
Pondering the danger with deep thoughts; & each
In others count’nance red his own dismay
Astonisht: none among the choice and prime
Of those Heav’n-warring Champions could be found
So hardie as to proffer or accept
Alone the dreadful voyage; till at last
SATAN, whom now transcendent glory rais’d
Above his fellows, with Monarchal pride
Conscious of highest worth, unmov’d thus spake.

He stops and puts the book face down on the bed. He rubs his face.

CHARLES

God, I need sleep.

He looks at Talia.

CHARLES

Sorry. I shouldn’t be complaining about needing sleep to you. Though, of course, it’s not like anyone in your family has been getting much sleep recently. I’m sure you already know that.

I know Kyra talks to you regularly, but I don’t know about your parents. They never talk to you when I’m around. Not that that’s all that surprising. If they do have something to say to you, I’m sure they wouldn’t want to do it while a stranger was around.

Anyway, I’ll get back to reading. I still have–

He picks up the book and flips through the remaining pages.

CHARLES

–a lot. Okay. Back to reading it is.

O Progeny of Heav’n, Empyreal Thrones,
With reason hath deep silence and demurr
Seis’d us, though undismaid: long is the way
And hard, that out of Hell leads up to Light;

Huh.

Beat.

CHARLES

I have literally no idea what that means. Okay. Let’s keep going.

He looks back at the book.

Lumi 18

INT. LUMI’S HOME BEDROOM. AFTERNOON.

Lumi sits in front of her camera.

LUMI

He is actually trying to make me believe he’s worth it.

Laughs.

LUMI

Dane won’t freaking leave me alone. He showed up yesterday with profit-and-loss projections for Entron for the next five years and proceeded to walk me through them.

All of them. Those are a couple hours of my life I’m never getting back.

It’s actually a bit weird. He talks to me like I’m an equal in the business world, which I am totally not. Though it is kind of nice, given how long I spent with my father talking down to me. It’s still not going to make me vote for him for CEO, but it’s nice.

Her phone rings, and she answers it without looking at it.

LUMI

If you have a ten-year-plan to show me, I’m busy.

Beat.

Lumi’s expression relaxes into a smile.

LUMI

Hey. Sorry, I didn’t realize it was you. Clearly…. I’d love to grab food with you. It’ll be my treat…. Yes, I can treat everyone. Believe me, I can afford it.

CUT TO:

INT. LIVING ROOM. LATER

Lumi sits on a couch in the living room of the apartment, the camera pointed at her.

LUMI

It’s kind of weird–this is my first time coming back here since I moved out. Everything looks the same, but it’s–well, it’s not.

KEVIN

(O.S., behind the camera)

Lumi?

Lumi smiles, standing. Kevin hurries over and gives her a hug.

KEVIN

How are you? What’s been going on? What’s it like being filthy rich?

Lumi pulls him down to sit on the couch. He moves her legs so she’s sitting perpendicular to him, her legs up across his lap. She grins at him.

LUMI

I’m good. Right now I’m mostly just trying to deal with all of the legal and logistical issues. And it’s…weird.

KEVIN

Did you buy yourself a Ferrari?

She laughs.

LUMI

I’m considering buying a Tesla or something like that, but for right now, no.

KEVIN

Too bad. So anyway, I heard your father’s company is kind of falling apart.

Lumi stiffens, pulling away from him.

LUMI

Son of a bitch. Did he put you up to this?

KEVIN

(Confused)

What?

LUMI

Dane. He’s brought you in to try to get me to not block the CEO vote? Jesus.

Kevin pushes her legs back down onto his lap, resting his hands on them. He looks at her.

KEVIN

You need to back up about twelve steps. What are you talking about?

LUMI

What do you think I’m talking about?

KEVIN

I don’t know. That’s why I’m asking.

There is a pause as Lumi readjusts her thinking.

LUMI

Do you know why I dislike Dane?

KEVIN

Other than the fact that he’s kind of a dick sometimes? I thought it was because you found out he works for your dad’s company.

LUMI

He never talks about his work with you guys?

KEVIN

He doesn’t talk to us about anything. What’s going on?

LUMI

Dane doesn’t work for my father’s company–he worked for my father. And now that my father’s in prison, he’s first in line to inherit the throne.

KEVIN

Really? Jesus, I can’t blame you for being pissed off. But you can, what, keep him from becoming CEO?

LUMI

Yeah. I inherited just enough voting stock in the company to block his appointment–or anyone else’s.

KEVIN

Shit.

He leans back.

KEVIN

Well, that’s going to make dinner awkward.

LUMI

He’s going to be there?

KEVIN

That was the plan.

Lumi thinks for a second, then sighs.

LUMI

Fine. At least this way he won’t be able to torture me with going over the wonderful world of Entron finances.

KEVIN

It can’t be that bad.

She looks at him.

KEVIN

Or it could be.

She stretches.

LUMI

I’m going to go wash up.

KEVIN

Don’t hide in there forever.

She sticks out her tongue at him, then swings her legs off him so she’s sitting. Then she reaches over and turns off the camera.

Talia 3

INT. BEDROOM. MORNING.

Charles sits in the chair, next to Talia. There’s a book in his hand. The camera isn’t pointed directly at him, but pointed more at Talia.

CHARLES

Of Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of EDEN, till one greater Man
Restore us, and regain the blissful Seat,
Sing Heav’nly Muse, that on the secret top
Of OREB, or of SINAI, didst inspire
That Shepherd, who first taught the chosen Seed,
In the Beginning how the Heav’ns and Earth
Rose out of CHAOS: Or if SION Hill
Delight thee more, and SILOA’S Brook that flow’d
Fast by the Oracle of God; I thence
Invoke thy aid to my adventrous Song,
That with no middle flight intends to soar
Above th’ AONIAN Mount, while it pursues
Things unattempted yet in Prose or Rhime.

Beat.

CHARLES

Wow, this is a mouthful. It had better wake you up.

 And chiefly Thou O Spirit, that dost prefer
Before all Temples th’ upright heart and pure,
Instruct me, for Thou know’st; Thou from the first
Wast present, and with mighty wings outspread
Dove-like satst brooding on the vast Abyss
And mad’st it pregnant: What in me is dark
Illumine, what is low raise and support;
That to the highth of this great Argument
I may assert th’ Eternal Providence,
And justifie the wayes of God to men.

The door opens behind him. He doesn’t notice.

CHARLES

  Say first, for Heav’n hides nothing from thy view
Nor the deep Tract of Hell, say first what cause
Mov’d our Grand Parents in that happy State,
Favour’d of Heav’n so highly, to fall off
From their Creator, and transgress his Will
For one restraint, Lords of the World besides?

KYRA

(O.S.)

You’re reading it.

Charles twists around.

CHARLES

Hi. Sorry. Yeah, I just started. It took a while to find a real paper copy.

KYRA

(O.S.)

I didn’t think you would actually read her the legitimate version of Paradise Lost.

CHARLES

Is it really her favorite, or were you just screwing with me?

KYRA

(O.S.)

Oh, it’s really her favorite. She read it twice. I tried to read it, but it’s…hard to get through.

CHARLES

Oh, I have no idea what I’m saying. But I figure she must get it, if she likes it so much.

KYRA

(O.S.)

Yeah. She was always more religious than me–than any of us–but it was always as much about questioning it as about believing in it. I don’t know what she believed in, to tell you the truth.

CHARLES

“Better to reign in hell than serve in heaven.”

KYRA

(O.S.)

Her favorite line was actually, uh… “Long is the way / And hard, that out of Hell leads up to Light.” She was always quoting the 1674 version at me, when she wasn’t quoting random things in Latin.

CHARLES

She speaks Latin?

KYRA

(O.S.)

We both had classical training. Latin, Greek, painting, embroidery, piano…ballet, though until until our feet started getting ugly.

CHARLES

Wow, that’s quite a list.

KYRA

(O.S.)

Anything and everything to make us marriageable.

Pause. Awkward. Charles stands and faces her.

CHARLES

Sorry, was there something you…came in here for?

KYRA

(O.S.)

I was just wondering if you needed a glass of water.

CHARLES

Oh. No, thank you.

He crouches down and picks something up, then holds it up to show to her. A water bottle.

CHARLES

I came prepared.

KYRA

(O.S.)

Yeah. Of course. Sorry. I’ll leave you to–

CHARLES

(Interrupting)

You really don’t have to go.

KYRA

(O.S.)

I don’t want to interrupt you.

CHARLES

I’m just talking.

KYRA

(O.S.)

I’m going to go.

She walks out and the door closes.

Beat.

Charles

(Under his breath)

Shit.

Lumi 17

INT. MEETING ROOM. AFTERNOON.

Lumi and Dane sit across from each other at one side of the table. The camera is far enough away to have both of them in the frame.

Dane looks over at the camera.

DANE

Is this necessary?

LUMI

I don’t trust you when there’s not a camera on you.

DANE

I’m not your father.

LUMI

I am perfectly aware of that. If you were my father, you would be rotting in a cell next to him.

Dane smiles.

DANE

I doubt that. I wouldn’t be stupid enough to confess.

Beat.

LUMI

(Coolly)

What do you want?

DANE

As per a clause in his contract, I have inherited all of your father’s voting stocks for Entron. Twenty-five percent of the company.

LUMI

Congratulations.

DANE

As of your twenty-fifth birthday, you have inherited all of your mother’s voting stocks for Entron.

Beat.

DANE

Twenty-six percent.

Lumi starts to smile.

LUMI

So that’s why he was so desperate.

DANE

I want to buy your stocks.

LUMI

So you can own fifty-one percent of Entron?

DANE

For one thing.

LUMI

And for the other?

DANE

There are some decisions that require seventy-five percent agreement of the board. Because your mother’s stocks were previously in a trust fund, they didn’t count, but that is no longer the case. As of your inherited the shares, you hold veto power over all major decisions to be made by the board.

Lumi starts laughing.

LUMI

My mother really screwed you over, didn’t she? What needs that vote? Is it a new CEO?

The answer is clear from Dane’s face.

LUMI

And they want you, don’t they? That’s why you care so much if I sell you my stocks.

DANE

I will pay you a fair price.

LUMI

I’m sure you would. But selling my stocks to you would be an implicit approval of you for CEO, and there is no way in hell I would ever do that.

DANE

Is there any way I could convince you to sell the stocks to me?

LUMI

Nope.

DANE

What about convincing you to vote for me?

Lumi smirks at him.

LUMI

Make me believe that you’re worth it. Now get out of my house.

Talia 2

INT. BEDROOM. MORNING.

The camera is pointed haphazardly in the general direction of Talia’s face, sitting on the bed. Kyra is sitting in the chair next to the bed, partially visible. She isn’t paying attention to the camera.

KYRA

Hey, Talia. I just wanted to say hi to you before I went out. I hope you like the new guy. He’s cute. Probably too cool to give someone like me the time of day if it weren’t for… the situation, but he seems generally nice.

Mom isn’t crying herself to sleep anymore. She didn’t think I could hear her before, but I could.

The door opens. Kyra stiffens.

CHARLES

(O.S.)

Oh, sorry. I didn’t mean to intrude. I didn’t know you were in here.

KYRA

Oh, no, it’s okay, I was just leaving.

CHARLES

(O.S.)

Are you sure? I can leave if you’d like, give you a few minutes. Chat with the nurse outside.

KYRA

No, no, stay. I just like to say hi to her in the morning.

CHARLES

(O.S.)

Oh, that’s great. I’m sure she appreciates hearing your voice.

KYRA

Do you think–do you think she can really hear what we’re saying to her?

CHARLES

(O.S.)

I think she can. And if she can’t, you’re still helping yourself by talking to her. And you need to remember that, just because she’s hurt, it doesn’t mean you are not just as important.

KYRA

It’s, uh…you might be right, but it’s hard to think like that.

CHARLES

(O.S.)

I know.

He walks over and puts a hand on her shoulder. She stiffens, but he doesn’t move his hand away.

CHARLES

It’s one thing that people tend to forget when someone else is sick. Your health, your well being, your mental health, all that matters, too.

Kyra shrugs, standing and pushing his hand off.

KYRA

Yeah, I know. I’ll leave you alone now.

CHARLES

You’re welcome to stay as long as you’d like.

KYRA

I have to go.

She turns and walks off shot. He turns to look at her.

CHARLES

One question.

KYRA

(O.S.)

Yes?

CHARLES

Pride and Prejudice or Jane Eyre?

KYRA

(O.S.)

Paradise Lost.

CHARLES

To read to her?

KYRA

(O.S.)

She likes Milton.

CHARLES

Does she have a copy here?

KYRA

(O.S.)

I don’t think so.

CHARLES

Thanks.

A second’s pause, and then the door closes. He sits down in the chair.

CHARLES

(To Talia)

So I hear you like Paradise Lost. I’ll have to bring it later–I’m not sure if I have it in my  apartment anywhere. Not that I can find anything in my apartment, anyway.

So anyway, how are you doing?

Talia 1

INT. BEDROOM. MORNING.

A man holds a camera, which is pointed at himself. Pastel walls behind him, a shelf with archery trophies and a teddy bear. He is in his mid-20s, wearing a button-down shirt, light blue or white, no tie. There is a beeping noise during the entire video.

CHARLES

I have the weirdest job ever.

He turns the camera to show the rest of the room–what looks like a bedroom for a late-teen girl. We don’t see the bed.

CHARLES

I’ve been hired to read to someone’s daughter. Which wouldn’t be so weird if she were a few years old, and I was her babysitter.

Beat.

She’s not.

The door opens.

KYRA

(O.S.)

I just wanted to know if you needed–oh, you’re filming.

Charles turns the camera to show Kyra. Kyra is tall, blond, classically beautiful, but tired. Exhausted. She hasn’t gotten a real night sleep in who knows how long. She covers her mouth, shyness rather than surprise.

CHARLES

(O.S.)

This is Kyra.

Kyra gives a small wave with the hand that had been covering her mouth.

KYRA

Hi.

Beat.

(Cont.)

Just wanted to see if you needed anything.

CHARLES

(O.S.)

I’m good, thanks. How are you holding up?

KYRA

I’m–I’m used to it. I know Mom and Dad probably told you this, but you’re welcome to any food or whatever in the house. We really just–we want–

CHARLES

(O.S.)

I know. Don’t worry.

Kyra smiles slightly, more acknowledgment thank any actual happiness, then turns and leaves, gently closing the door behind her. Charles turns the camera back to face him.

CHARLES

She looks exhausted. I mean, I guess I’m not all that surprised.

I should probably get started.

He walks over and sits down in a chair. The door is visible behind him.

CHARLES

I suppose this is the official start to my job. My name is Charles, and… here she is.

Turns the camera to show the bed. There is a woman–20–lying on the bed, eyes closed. Hooked up to machines. That’s where the beeping noise is coming from. She looks a bit like Kyra, but is thin, pale. No makeup. Steady breathing.

CHARLES

This is Talia Briar. Of the Briar Insurance Group.

Yeah.

She’s been in a coma since her 19th birthday, and I was hired to talk to her. The camera is so they can have it recorded if she wakes up. I’ll probably read to her later. Maybe try to get through one of Shakespeare’s works or something like that. For today, though, I figured I could talk to her, let her get to know me.

He puts the camera on the bed so we can see both of them. Her more clearly and fully than him.

CHARLES

Hi, Talia. Tali? I wasn’t sure–your mom called you one, your dad called you the other. And I haven’t heard Kyra address you by name since I met her. I’m Charles. Charles Alexander. I always wished I could have been Charles Xavier, but…no such luck.

Your parents hired me to try to get you to wake up. I’m going to talk to you, read to you. Maybe sing. The singing should be bad enough for you to wake up, if only so you can tell me to shut up.

He smiles.

CHARLES

(Cont.)

It’s been a year since you went into a coma. Well, a year and eleven days. You’re 20, now. Weird, huh. 21 will be even weirder. Maybe I’ll take you drinking on your 21st birthday. Though whoever your boyfriend is at the time might have an issue with that.

I’ll ask your parents what your favorite books are. From the looks of your bookshelf, it looks like you’re a classics fan. I’ve never read Jane Eyre, so you might be subjected to listening to that.

There is a knock on the door.

I should get that. Back in a sec.

He leaves screen, walks over to the door. Opens it.

MRS. BRIAR

(O.S.)

I just wanted to check in, see how you are doing.

CHARLES

(O.S.)

It’s going well.

MRS. BRIAR

(O.S)

Has there been…anything?

CHARLES

(O.S., gently)

This is going to take some time, if it works at all. I will tell you if there is anything. You will be the first to know.

MRS. BRIAR

(O.S.)

I-I know. Kyra said that she met you.

CHARLES

(O.S.)

Yeah. She stopped by a few minutes ago. If you’d like to be alone with Talia, I can step out of the room.

MRS. BRIAR

(O.S.)

Oh, no, no. I’ve been alone with her a lot in the past year. It’d be better for you to–I’m going to go.

CHARLES

(O.S.)

I’ll say goodbye before I leave.

MRS. BRIAR

(O.S.)

Thank you, Charles.

Door opens, closes. Charles walks back over, sits down.

CHARLES

In case you couldn’t tell, that was your mom. She’s a lovely woman. Has your eyes. Your sister doesn’t, but I guess that’s the magic of genetics.

I was a psych major in college. Double minor in early development and neuroscience. Not a huge range, I know, but I love this stuff.

I drink way too much coffee, but I can’t stand energy drinks. I saw that you have a lot of archery trophies. I did baseball when I was little, but I never really got into sports. I mean, I guess I swim, but not competitively. I don’t want to sound like a dating profile, so I’ll stop about myself.

If you ever want me to stop, just open your eyes and tell me. Or move your hand. Twitch a finger.

Your parents want you to wake up. They love you. So does your sister, Kyra. There are a lot of people hoping for you to open your eyes and get going.

I’m going to go get a glass of water, and then I’ll be back. If you get up before I return, I’ll be out of a job–but very excited.

He gets up and walks away.